Thursday

Album Review: The Gaslight Anthem, Handwritten


25 July 2012
by Poppy Reid

It’s to be expected that The Gaslight Anthem’s latest offering is knocked up with the same nostalgic tone that embittered each track on American Slang, but this time frontman Brian Fallon is slightly more content.

After years proffering New Jersey rock (read: aping Bruce Springsteen), the four-piece have come into their own with a beautifully crafted fourth release, Handwritten. A welcome relief after the band’s last LP, the acclaimed American Slang, inspired some to question whether they could build on the sound helmed by Springsteen, B.B King and The Clash or whether they would twist and snap the umbilical chord.

The fact the album is their first through a major label is irrelevant; crafted with handpicked producer Brendan O'Brien (Incubus, Pearl Jam), the record seems to borrow more from the embryonic intellect in 2008 breakout album The ’59 Sound than from any desire to dominate radio airwaves. Anthemic tracks like lead single 45 and Howl pay homage to the formative years of Fallon’s now happily married relationship; it’s his autobiographical approach and the way he portrays all of life’s ‘what if’ moments that will draw the listener most, holding the bar high for what commercial radio should sound like.

Keepsake is reminiscent of going through your parents' record collection for the first time, its slow-feeding intro envelops before settling into a chorus that holds a familiar cushion, even on first listen. Laced with open ended dialogue about fears they don’t have solutions to, The Gaslight Anthem have beautifully placed space between the percussion and guitars – a breathing room for one’s own thoughts to gently interject.

Despite the sing-a-long guitar chords and ‘whoa oh’ repetitions over a few tracks, Handwritten has been tailored to perfection; elements that would translate as crass commercialism from lesser bands, comes across as natural and welcome development. The band will get their mainstream coverage with this record, but it will have nothing to do with the inked signatures on Mercury’s authoritative white paper.

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